Kei Takemura

Kei Takemura
“even if we’re not together”
1 – 29 September, 2007

Kei Takemura “renovated K.K.’s tea cup” 2007
Japanese silk thread, Italian synthetic cloth, K.K.’s tea cup which K.T.
used at her home, 13 x 12 x 6 cm
Courtesy of the artist and Taka Ishii Gallery

Kei Takemura “even if we’re not together” 2007
Japanese silk thread, Italian synthetic cloth, colour print, B&W print which image
was taken by M.B. somewhere in Africa, colour spray, 260 x 530 cm
Courtesy of the artist and Taka Ishii Gallery

Taka Ishii Gallery is pleased to announce our solo exhibition
“even if we’re not together” with Berlin-based artist Kei Takemura.
This exhibition is her second solo exhibition with the gallery, and includes
a new installation of four large works (100″ x 127″) comprised of two layers
of embroidery and photograph/drawing, as well as small sculptures from the
series “renovation.”

I made my latest works considering as a motif people who live in parallel time with me.
The scene M.B. saw during his stay in Africa, the coast I saw in Miami.
The room of my friend R.M. who moved to Berlin after January 17th quake.
A destroyed house near my parent’s house.
The scene A.F. saw when he visited his hometown, Abadan.
The scene M.H. saw when he passed through Tel Aviv.
A hundred flowers that my friend, an old German woman E.G. hand-crocheted.

I chose some of scenes from photographs given to me by people I know, scenes in which
I did not participate yet touched my memory, then I overlapped my memory of other places
and times to transform images. By this process, I consciously tried to make a composition
of image and a selection of color which might best serve to embody memories.

Kei Takemura

For Takemura, the act of embroidery is to create a state of being “tentative.”
She considers her memory through an objective practice. This state of “tentative”
is embodied in her action and is based on her thought that this status equals the
present state of art. She presents her works as a point of view, as means to find
beauty itself and also as a prompt to consider the relationship between a point
of view and an environment.
When the light falls on photographs and drawings peek through organdy, and
the shadow of embroidery is layered in line, the memory of place is evoked through
the image. The artist’s memory does not consist of her memory but interrelated
memories of an other. This traverses a border gradually and evokes universal memories
which may involve unknown people.

Kei Takemura was born in 1975, Tokyo. Lives and works in Berlin.
2002 Tokyo National University of Fine Art and Music, MA
2004 Berlin Art Academy, Prof. Lother Baumgarten, BA
2004-2007 Agency for cultural Affairs, Japan Scholarship.
2004 Debut exhibition “For dearest You” at Taka Ishii Gallery,
“Kei Takemura” at Galerie Alexandra Saheb, Berlin.
2006 15th Biennale of Sydney, Sydney
Publication: “Takemura Kei in Berlin 2000-2005” (2005, Taka Ishii Gallery)

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