
Tomoo Gokita
Peter Davies-The Epoch of Perpetual Happiness
Oneshot

Oneshot
A photo exhibition curated by Jesper Elg featuring work by:
Ada Bligaard Søby, Aaron Bondaroff, Alexander Kopps, André, Andrew Schoultz, Anika Lori, Asger Carlsen, Ashley Macomber, Brian Lee Hughes, Barry McGee, Carl Krull, Casper Sejersen, Cheryl Dunn, Claus Carstensen, Ebbe Stub Wittrup, Elizabeth Heltoft, Futura, Helena Christensen, Jeffrey Schad, Jesper Just, Jette Jørs, Julian Röder, Johan Rosenmunthe, John Copeland, Kasper Sonne, Michele Abeles, Marcel Zyskind, Mark “The Cobra Snake” Hunter, Martin de Thurah, Matthew Stone, Misha Hollenbach, Morten Bjarnhof, Nina Mouritzen, Noam Griegst, Peter Beste, Peter Boel, Peter Funch, Peter Sutherland, Pica Pica, Ray Potes, Rouge, Sean Dack, Simon Høgsberg, Stefan Simikich, Sue Kwon, Søren Solkær, Tim Barber, Thomas Campbell, Thomas Øvlisen, Troels Carlsen, Typisk Lesbisk and Wes Lang.
Opening reception Friday, November 06, 2009 from 17.00 – 21.00.
We look forward to seeing you in our new residence.
WERKSTETTE
Dronning Olgas Vej 23
2000 Frederiksberg
Denmark
Rebel with out a cause
Jenny Källman & Anna Bjerger

Jenny Källman & Anna Bjerger
Jenny Källman’s and Anna Bjerger’s pictures know something immense about one another; the way a grown woman knows something about a young woman; the way the girls still remember that which the woman has forgotten. The girls lack direction, but the women can recount memories from along the way. (Stefan Lindberg)
David Risley Gallery is pleased to present an exhibition of new works by two Swedish artists, Jenny Källman and Anna Bjerger. The show will include 2 new oil paintings and 20 watercolours by Anna Bjerger with 7 black + white and 14 colour photographs by Jenny Källman.
A catalogue with essays by Karin Faxen and Stefan Lindberg is available upon request.
Michael Kvium
Mette Vangsgaard
Florian Süssmayr @ Nicholas Robinson Gallery

Nicholas Robinson Gallery is pleased to present its second solo exhibition of new paintings by Florian Süssmayr.
The current exhibition, entitled Interieurs, focuses both the artist’s and viewers’ attention on various iterations of interior spaces, one of the traditional genres of art history. Frequently de-populated and executed with the artist’s characteristic somber palette of monochromatic dark browns, Süssmayr’s interiors create an evocative atmosphere that is simultaneously disquieting, banal, and even, on occasions, gloomy or sinister. His fleeting glimpses of these spaces are often ambiguous – both artist and viewer participate in the viewing of the scene and yet are somehow also clearly excluded from belonging in them.
A number of the paintings tackle another traditional genre – that of the self-portrait. The artist is depicted either as a reflection in a surface in which he is photographing himself, or as part of a pin-board collage containing an image of himself and other biographically relevant images or references. The depiction of self is thus never direct, and continues the theme of detached observation and exclusion.
Florian Süssmayr has his roots in the social and political subculture pervasive in Germany in the 1980s. Originally a musician in the leftist post-punk scene, he has also been a film cameraman, and began painting in the late 1990s.
Süssmayr has had a solo exhibition at the Haus der Kunst in Munich, and has participated in numerous other important gallery and museum exhibition in the last five years.
Florian Süssmayr was born in 1963 in Munich, Germany, and lives and works in Munich.
Graffiti Copenhagen







Still working, not finshed jet…









