Martin Klimas

Foley Gallery is pleased to announce Temporary Sculpture, an exhibition of photographs by German artist Martin Klimas. This show marks his first exhibition in the United States.

By carefully controlling his studio environment, but leaving actions to chance, Klimas creates images that hold a moment containing the past, present and future of his subject. We see what was known, what is now and what will become. Yet, the moment he shares is one that we could normally not optically register.

With a strobe light and one sheet of film, Klimas captures each individual experience of porcelain figurines being dropped and obliterated. With fixed expressions, these statuettes fall to their fragile demise. But Klimas is less interested in the violence of the scene and more interested in the action as an organized narrative process that creates new informal structures.

His Photographs explore the ephemera of moments and material objects. An object that can be intact and so serene one minute can easily be destabilized and turned into an animated and fragmented entity. The figurines display a perpetual sense of motion, which in the cases of more action-oriented figures like the kung fu fighters exaggerates the action that the character is already implying. For the figures that are more passive in expression, this explosive aspect adds a disruptive quality to an otherwise staid object.

The intention of this process is the creation of an entity that is the result of the action. Every picture becomes a sculpture on its own, showing the transformation of an object that no longer exists into a stationary object that we can only, for the moment, imagine. There is a comforting idea amidst what appears to be violence and chaos, which is the concept that this destruction can ultimately result in creation.

Martin Klimas received his diploma at the Fachhochschule Düsseldorf in 2000. His work has been exhibited gallery in galleries in Berlin, Düsseldorf and Hamburg. This will be his first exhibition in the United States.

  • Foley Gallery
  • "Believers & Illusionists"


    “Believers & Illusionists”

    Preview through gallery weekend possible

    Vårin Andersen (N), Jan Christensen (N),Santiago Cucullu (AR)
    Halina Kliem (DE), Josefine Lyche (N), Frode Markhus (N),Marius Martinusen (N)
    Yorgos Sapountzis (GR), Anders Smebye (N) & Norbert Erwin Witzgall (DE)

    R.T. HANSEN
    Gormansstrasse 19 A. 10119 Berlin

    Curated by: Lars Morell

  • Lars Morell
  • Inc Berlin
  • Alice Neel


    Portrait painter Alice Neel (1900-1984) was a self-described collector of souls who recorded her sitters on canvas through six decades of the 20th century, among them Andy Warhol, Bella Abzug, Allen Ginsberg and Annie Sprinkle. Neel always sought the”authentic”, moving from Greenwich Village to Spanish Harlem just as the Village was gaining reputation in the art scene. She sacrificed almost everything for her art, delving so far into the psyches of her sitters she would almost lose herself. Yet Neel was also a dedicated mother, raising two sons in the bohemian world she inhabited. Filmmaker Andrew Neel, Alice Neel’s grandson, puts together the pieces ofthe painter’s life using intimate one-on-one interviews with Neel’s surviving family and personal archival video. The documentary explores the artist’s tumultuous biography and the legacy of Alice Neel’s determination to paint her era.

  • Art Projx
  • Aliceneel Film
  • Seethink
  • Victoria Miro
  • John Hodany


    JOHN HODANY
    “WORKS ON PAPER”
    April 27 – May 19, 2007

    Opening Reception with the Artist Friday, April 27, 6-9 p.m.

    For his first Scandinavian solo exhibition John Hodany shows a series of 5 large-scale works on paper.

    In these paintings, John Hodany uses repetition, creating patterns and then breaking them using his own painstaking process of cutting and relocating areas of the painting. This creates a ghost-like impression in which the trace of the image that has been cut and replaced seems to imprint on the background. Time, space, landscape and architecture interact and reiterate. The effect of the broken or inverted patterns brings to mind the way a song by the Velvet Underground can solidly depend on a left-out drum beat.

    In his own words John Hodany is interested in “the combination of drawing, painting and sculpture into one complex form”. John Hodany was born 1974 in New York and lives and works in New York and Berlin. His work has recently been acquired by The Museum of Modern Art in New York.

  • Galleri Loyal
  • Jani Hanninen


    Jani Hänninen (born 1974), an angry young man, whose graffiti-based relaxed paintings are tinged by a critical attitude, black humour, engaging irony and an urban beat.

    A portfolio titled “Black Dreams” containing four silk screen prints has been published by Galerie Anhava in conjunction with the exhibition.

  • Anhava
  • Other Scenes


    OTHER SCENES

    Rita Ackermann
    Gusmano Cesaretti
    Daniel Higgs
    Becca Mann
    Ryan McGinley
    Daido Moriyama
    Jockum Nordström
    Raymond Pettibon
    Gee Vaucher

    April 21 – May 26, 2007
    Opening reception, Saturday, April 21st, 6 – 8pm
    Live Performance by No Age

    Curated by Aaron Rose

    Exhibition catalogue published by Nieves, $20

    Other Scenes presents an eclectic group of emerging and established artists all of whom share disturbing yet romantic visions. In these artist’s works, a discreet form of protest exists; a desire to find love amongst the ruins, beauty in the shadows. Aaron Rose is an independent curator currently living in Los Angeles. He is co-curator of the museum exhibition, Beautiful Losers: Contemporary Art & Street Culture which opened in March 2004 at Contemporary Arts Center in Cincinnati and will tour the world through 2008. Rose is also a publisher, writer and co-editor of ANP Quarterly, a free arts/lifestyle magazine. Thank you to Andrea Rosen Gallery, New York, Team Gallery, New York, Regen Projects, Los Angeles, 96 Gilespie, London, and Rathole Gallery, Tokyo. Special thanks to RVCA Artists Network Project for their generous support.
    Rita Ackermann (b.1968) is an artist born in Hungary, trained in Budapest and Vienna, and currently working in New York. Her work first became prominent in the mid-1990s as the result of her seductive paintings of semi-autobiographical nymphets and her close association with musical groups such as Sonic Youth. Over the years her style has evolved to include more metaphysical themes, still populated by svelte waifs, fashionable nymphs, and other girlish sprites combined and recombined in an almost serial fashion, albeit with a very contemporary take. In 1974, Italian photographer Gusmano Cesaretti embarked on a documentary photography project exploring the streets of East LA. These rarely seen photographs of Chicano life in the ’70s, including images of graffiti filled stores, walls and garages become, in their harsh black and white austerity, almost like abstract paintings. These photos were eventually published in a small run book, ‘Street Writers’ (1975) which included a transcribed audio tour of East Los Angeles and became a pioneer book in Chicano culture. Daniel Higgs (b.1965) is an artist/musician best known as the lead singer for the Baltimore band Lungfish, but in recent years has begun recording and performing as a solo artist with increasing frequency. His rarely-exhibited, highly detailed, visual art is legendary in underground circles for it’s scarcity and has been identified by the artist as “one’s own experience of reality offered in reckless worship.” Becca Mann (b.1980) is a Los Angeles artist who combines abstraction with both found and invented images to create spaces in which the dead may reside. Consistent in her paintings, elements of light and atmosphere emerge as narrative tools. Becca Mann is a recent graduate of The School of the Art Institute of Chicago, where she received a BFA in painting and critical writing. While living and working in Chicago she organized a series of group shows in “alternative venues,” including a ballroom and a crumbling 19th century mansion. Ryan McGinley’s (b.1977) photographs of his friends exuberantly indulging in irreverent behavior are neither sullen nor saccharine. His early photographs were influenced by subjects such as graffiti, queer culture, skateboarding, and sloppy parties. Since then his work has taken on a more playful approach, featuring young people in various states of undress and abandon, usually interacting with themselves and nature. His photographs have been exhibited internationally, including being the youngest artist in history to have a solo show at the Whitney Museum in 2002. The works of Japanese photographer Daido Moriyama (b.1938) often show everyday people and everyday things in a manner not to be found in the average Tokyo tourist guidebook. Whether by using blur or cropping, Moriyama’s bleak and lonely, highly grained, black-and-white pictures expose a seedy, yet hauntingly beautiful underbelly of 20th Century Japan. His fifty-year photographic career as led him to be considered one of Japan’s great modern photographers. Swedish artist Jockum Nordström (b.1963) combines naive-folk collages and drawings to become visual streams of consciousness. He makes drawings of ships, tiny dioramas of cities, and men in uncomfortable suits, all rendered in a deliberately crude folk-art style. His compositions are spatially dimensionless, but the figures that populate his odd, rickety landscapes are vividly robust. Raymond Pettibon (b.1957) is a cult figure among underground music devotees for his early work associated with the Los Angeles punk rock scene, designing logos, flyers and albums for bands such as Black Flag and Circle Jerks. Since then, Pettibon has acquired an international reputation as one of the foremost contemporary American artists working with drawing, text, and artist’s books. Gee Vaucher (b.1945) is perhaps best known for the extensive body of work she created during the late seventies and early eighties. As designer of albums and propaganda for the renowned English punk band ‘Crass’, she created some of the most disturbing and acclaimed images of the time. Her work is generally accepted as having been seminal to the iconography of the ‘Punk Generation.’ When ‘Crass’ disbanded in 1984, Vaucher felt the need to explore other areas of work, abandoning the tightness of her more ‘overt’ political statements in favor of a more loosely expressed personal politic.

  • Robert Sandtilton
  • www.robertsandtilton.com