On Paper

on paper 3
There is something innocent and light in the image of a paper fly like on this invitation .
Just think about a kid playing with it. – What is more suitable for a playful exhibition with
artworks, which are making use of this media in all kind of way? Isn’t paper the basic medium
of making art? There are surely very few artists who never used it in their creative process at
a certain point.
But nevertheless – paper as a medium is not as easy as it seems: Its maybe 2200 year old
history might about to be over. It is definitely in its last chapter. In the old China paper was
something holy and the making of it a carefully protected secret. The Arabs brought it to the
west and with Gutenberg’s letter press machine it got its breakthrough: money, books,
documents, pamphlets, pictures, photos, photocopies. It became the communication media
from the highest to the lowest culture the next 500 years.
Now we are in the middle of a new revolution of communication: More and more information
in our culture becomes digital. The computer displaces paper, which means that a material
information carrier is displaced by a virtual one. We can only guess where it leads. Fact is:
credit cards displace money, kids are using their notebooks instead of exercise books and
David Hockney just demonstrated how great it is to make drawings on his iphone.
So what does paper mean for artists today? There is surely not one answer. But there are
plenty to find in the show at  55 artists  from 13 nations with 4 to 12  works each will show
how lively this media still is and not leave much free space on the wall.
The following artists participate:

Stalke

Nils Erik Gjerdevik in Mellemrummet.

neg07050

Nils Erik Gjerdevik’s  paintings challenge the set rules and conventions of painting as genre. His field of interest is the preconditions and potential of the non-figurative and in the schism between rigid concretism and playful forms the  works take on the character of a survey of the diverse systems of abstractions in art history.

The liniar structures of constructivism, the ornamental arabesques of art nouveau, the grid system of minimalism, the visual phenomenons of op art, as well as patterns and styles of pop art are all put into play in the art of Nils Erik Gjerdevik.

Gjerdevik breaks with the classical principles of composition; the distinctions between foreground and background is blurred, and the perspective seems to point in and out of the painting. He is flirting with a psychedelic architectural universe in which gravity is eliminated and impossible meetings between subjects, themes, styles, and techniques occurs.

Nils Stærk

Nils Erik Gjerdevik