Posts Tagged ‘Dan Rees’

Home Again, Again II @ The Journal

Saturday, January 18th, 2014

A1

The Journal Gallery

Young British Art // Curated by Ryan Gander

Thursday, April 21st, 2011

BraskArtBlog666

Limoncello Gallery

Anti-Photography

Friday, January 21st, 2011

BraskArtBlog666

Stalke

NOT CREATED BY A HUMAN HAND

Thursday, December 17th, 2009

WL-Notcreatedby

NOT CREATED BY A HUMAN HAND

We cordially invite you to a group exhibition with new work by artists:
Giorgio Andreotta Calò, James Beckett, Rossella Biscotti, Susan Hiller, Joachim Koester, Jonathan Monk, Dan Rees, Mark Soo and Philippe van Wolputte and the first photograph of the shroud of Turin (1898) by Secondo Pia (1855 Piemonte – 1941)

Not Created By A Human Hand

will open on Christmas Eve, Thursday, December 24th, from 5 pm.
The launch of the gallery publication, #2 On the Art of Making Without Hands, with a text by Alena A. Alexandrova, will coincide with the opening and be immediately followed by drinks and bites.

The publication with a signed edition (500) by Joachim Koester and James Beckett can be ordered for 10 euro at Wilfried Lentz Rotterdam, Castillos/Corrales Paris, Pro qm Berlin, Boekie Woekie Amsterdam

Wilfried Lentz

Dan Rees & Fredrik Værslev

Saturday, September 26th, 2009

SODR-2009-Wedgwood

SOFV-2009-SP_The_Algrebraist-1-2

STANDARD (OSLO) is pleased to present “Shelf Paintings (Pottery In October) (Decorations By Dan Rees)”, a collaboration between artists Dan Rees and Fredrik Værslev. Having studied together at Städelschule in Frankfurt am Main, the continued conversation has resulted in a set of ten collaborative works that are linking the anecdotal with the analytical in regards to painting as product and process.

RED:
“I’m a much more confident person than when I started here, which comes with age” […] “I’m able to handle things which I wouldn’t back then, things that would have bothered me. If I wasn’t playing well I was devastated. Now I’m disappointed, but I know I’ll come back.”

– Ryan Giggs

GOLD:
“‘Shelf Paintings’ is a series of paintings executed with spray paint on plywood. The prototype was based on my mothers description of an ideal painting – a painting that would not interfere with whatever was placed in front of it, but rather function in the way that the perfect blouse brings out the tones of your skin or the colour of your eyes. The motives of these paintings are abstracted or faded colour formations similar to the backdrop of the “Good Morning America” TV studio, to that of tapestry, or the sky on a nice evening. Underneath the paintings a wooden shelf has been mounted with hinges. The shelf is sort of a platform for decorations of all kinds. The colour formations on the paintings are primarily based on wishes from those who will decorate them.”

– Fredrik Værslev

GREEN:
“And I’ll come running to tie your shoe

I’ll come running to tie your shoe

I’ll come running to tie your shoe

I’ll come running to tie your shoe.”

– Brian Eno, “I’ll Come Running” from “Another Green World” (1975)

WHITE:
Squash or smack / white on white / a ping-pong painting.

Dan Rees (b. 1982, Swansea, United Kingdom) lives and works in Berlin. Since graduating from Städelschule, Frankfurt am Main in 2008 Rees has had solo exhibitions with Tanya Leighton Gallery, Berlin, Galerie Andreas Huber, Vienna, as well a solo presentation at Art Basel 40 earlier this year with T293, Naples. Throughout the course of the exhibition Rees’ works can also be seen in his solo exhibition – “Junk On A Thing” – at Johan Berggren Gallery in Malmö.

Fredrik Værslev (b. 1979, Moss, Norway) lives and works in Drøbak, Norway, and Malmö, Sweden, where he will graduate from the Malmö Art Academy in 2010. Recent and upcoming exhibitions include Johan Berggren Gallery, Malmö; Studio, Venice; Neue Alte Brücke, Frankfurt am Main; Basis, Frankfurt am Main, and Economy, Frankfurt am Main. Værslev is also serving as curator of the project space Landings, located outside of Oslo.

STANDARD